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Liz Whitney Quisgard pseudo pointillism needlepoint
Wednesday, December 01, 2010
Liz Whitney Quisgard is artist extraordinaire. She's been a painter for more than sixty years and began needlepoint about a decade ago. Her tapestries, like her art are large scale and she still appreciates the patience that comes with working in fiber. If you were luck enough to see her solo show in at the Anita Shapolsky Art Foundation please let us know.
Her dazzling patterned work is influenced by architecture, pointillism, Moorish
mosaics and Op art. The pieces are rich in color, pattern and structure
We have been unable to find a very close up image - but you can see it a little clearer if you go to page 52 of the Nov./Dec/2010 Fiber Arts Magazine.
Liz Whitney Quisgard pseudo pointillism needlepoint
Wednesday, December 01, 2010
Liz Whitney Quisgard is artist extraordinaire. She's been a painter for more than sixty years and began needlepoint about a decade ago. Her tapestries, like her art are large scale and she still appreciates the patience that comes with working in fiber. If you were luck enough to see her solo show in at the Anita Shapolsky Art Foundation please let us know.
Her dazzling patterned work is influenced by architecture, pointillism, Moorish mosaics and Op art. The pieces are rich in color, pattern and structure
We have been unable to find a very close up image - but you can see it a little clearer if you go to page 52 of the Nov./Dec/2010 Fiber Arts Magazine.
Her dazzling patterned work is influenced by architecture, pointillism, Moorish mosaics and Op art. The pieces are rich in color, pattern and structure
We have been unable to find a very close up image - but you can see it a little clearer if you go to page 52 of the Nov./Dec/2010 Fiber Arts Magazine.
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